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    Home » My comment not targeted against Funke or Toyin — Kunle Afolayan declares
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    My comment not targeted against Funke or Toyin — Kunle Afolayan declares

    Ifetayo AdeniyiBy Ifetayo AdeniyiFebruary 1, 20263 Mins Read
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    My comment not targeted against Funke or Toyin — Kunle Afolayan declares

    By Elegbede Abiodun

     

    Nollywood director and producer, Kunle Afolayan, has cleared the controversy about his recent comments on film promotion and cinema releases, saying his comments were misunderstood and never directed at his colleague, Funke Akindele.

    Speaking on Arise TV earlier today, Afolayan explained that the viral video was taken from a film business forum where industry stakeholders were discussing cinema economics and sustainability.

    “I am a product of travelling theatre and travelling cinema,” Afolayan said. “Our parents would go into the streets to tell people to come and watch films. I don’t see anything bad in going to the cinema or promoting films. For me, it is just draining.”

    The filmmaker said his comments were made in response to a direct question from cinema operators who wanted to know when he would return to theatrical releases. According to him, the conversation focused on whether cinema releases still make financial sense for filmmakers after deductions.

    “At that forum, I told them you have to promise me that I will make substantial money,” he said. “If a film makes ₦2 billion, after sharing, taxes and other deductions, what may come back to you is about ₦500 million. If you have more than two or three investors, what is left at the end of the day?”

    Afolayan noted that several key industry figures were present at the event, including the owner of EbonyLife Cinemas, Mo Abudu. He said the discussion was open and factual, not an attack on any filmmaker’s strategy.

    The controversy gained momentum after fans on social media linked his comments to Funke Akindele, whose films have broken box-office records and crossed the ₦2 billion mark.

    Afolayan also revealed that Akindele called him shortly after the video began circulating online.

    “She called me yesterday and said, ‘Mr Afolayan, I know you don’t like me, don’t mention my name in your interviews,’” he said. “She was yelling and then dropped the phone. I texted her afterwards and explained things to her. I honestly don’t know what caused the reaction.”

    He stressed that he never mentioned Akindele’s name in the original conversation and has no personal issues with her.

    “I have absolutely nothing against Funke,” he said. “I did not say people should not dance to promote their films.”

    He also pointed out that he reached out to actress Toyin Abraham, who has also been linked to the debate online, and she had no problem with his comments.

    Afolayan further revealed that just a week earlier, he had openly praised Akindele’s career and business model during a masterclass at the Kaduna Film Festival.

    “I told them clearly, if you want to adopt a model that works, follow Funke Akindele’s model,” he said. “She started at a younger age with Jenifa and look at her brand today. It is consistent growth.”

    He explained that while Akindele’s approach works, it does not suit everyone.

    “I can’t do what they are doing because they have the energy and it works for them,” he said. “I do many things today, but film gave birth to all of them.”

    Afolayan maintained that his comments were aimed at encouraging honest conversations about sustainability in Nollywood, not creating division.

    “Ask our colleagues, I support people’s projects,” he said. “I don’t know what got into Funke, but I have nothing against her.”

    The filmmaker also promised to share the video from the Kaduna masterclass to further clarify his position.

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    Ifetayo Adeniyi
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    Adeniyi Ifetayo Moses is an Entrepreneur, Award winning Celebrity journalist, Luxury and Lifestyle Reporter with Ben tv London and Publisher, Megastar Magazine. He has carved a niche for himself with over 15 years of experience in celebrity Journalism and Media PR.

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    Nigerian media mogul Mo Abudu is set to deepen her global influence as the EbonyLife brand prepares to launch EbonyLife Place London, a major cultural and creative hub dedicated to amplifying African storytelling and entrepreneurship in the United Kingdom. The new venture, situated in the heart of London, is designed as a multi-purpose space that will serve as a meeting point for filmmakers, content creators, investors, and creatives of African descent. The project reflects EbonyLife’s long-standing mission to project authentic African narratives onto the global stage while creating sustainable opportunities within the creative economy. Speaking on the development, Abudu emphasized that the initiative is more than just a physical space, describing it as “a home for African creatives in the diaspora and a bridge connecting talent from Africa to the rest of the world.” She added that the hub would foster collaboration, innovation, and access to global markets, noting that “the time has come for African stories to take their rightful place at the center of global conversations.” EbonyLife Place London is expected to host film screenings, industry events, training programmes, and business incubation initiatives aimed at nurturing emerging talent while supporting established creators. The facility will also provide networking opportunities for stakeholders across film, television, fashion, and digital media. Industry analysts say the move signals a strategic expansion of EbonyLife’s footprint beyond Nigeria and reinforces the growing global appetite for African content. By establishing a permanent presence in one of the world’s leading creative capitals, the brand is positioning itself as a key player in shaping how African stories are produced, distributed, and consumed internationally. The launch marks another milestone in EbonyLife’s evolution from a Nigerian-based media company into a globally recognized creative powerhouse, underscoring Abudu’s vision of building platforms that not only tell African stories but also empower the people behind them.

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