Manny Ita
The +234 Art Fair is set to return for its third edition in 2026, reinforcing its reputation as a major platform for unrepresented and emerging Nigerian artists, with organizers describing this year’s focus as a push toward radical accessibility. The submission portal for participating artists closes on January 20, 2026, as preparations intensify for the fair scheduled to hold in Lagos in March.
Organizers said the 2026 edition is themed “Inclusivity,” a concept aimed at what they describe as “widening the frame” of the Nigerian art market. Unlike previous editions themed “Heritage” in 2024 and “Patronage” in 2025, the upcoming fair is deliberately targeting creators working outside established gallery systems, particularly those beyond Lagos’ traditional art circuits. The curatorial direction prioritizes what the organizers call “unseen stories” and narratives that have been historically overlooked, while expanding accepted formats to include digital art, installations, and experimental two- and three-dimensional works alongside conventional painting and sculpture.
The fair will take place from March 5 to March 8, 2026, at the Ecobank Pan African Centre on Ozumba Mbadiwe Avenue, Victoria Island, Lagos. In line with its long-standing philosophy of “art for everyone,” entry to the exhibition is expected to remain free to the public.
According to the guidelines released, participation is open to emerging and mid-career artists, with submissions restricted to original works created by the applicant. Artists are required to submit a minimum of four artworks through the official portal, accompanied by high-resolution images labeled with the artist’s name, pavilion category, title, medium, and price listed in naira only. A detailed biography of between 300 and 500 words and a professional headshot are also mandatory as part of the application process.
The fair is led by its founder, Mrs. Tola Akerele, who is also the Director-General of the National Council for Arts and Culture, and is supported by partners including Ecobank Nigeria, Africa Finance Corporation and Craneburg Construction. Organizers said the broader objective is to move Nigerian art from a hobby into a global business, building on the momentum of the 2024 edition, which attracted more than 10,000 visitors.
Artists have been advised to take note of the competitive nature of the selection process. In 2025, more than 1,000 artists applied to participate, with only about 140 to 160 selected to exhibit, underscoring what organizers describe as a rigorous vetting standard for the 2026 fair.
